Love Bites, a new play by Crysse Morrison, Alma Theatre, 24th - 29th May 2010

Stairway to Heaven, by Steve Hennessy, Blue Elephant Theatre, 15th June - 10th July 2010

The Remains of the Day, Alex Loveless’ musical adaptation of Kazuo Ishiguro’s Booker Prize winning novel, Union Theatre,  1^st - 25^th September 2010

Still Life, by Steve Hennessy, tba

highly experienced dramaturg; former youth theatre director with 10+ years experience and dozens of credits; former actor in theatre and TV and ex-member of the NYT (1998 - 2002); member of the Directors Guild of Great Britain and Equity; driving licence; CRB cleared.

‘The staging and pace of the play are brilliantly eerie… An atmospheric, unsparing and at times unsettlingly funny evening.’
  Venue Magazine on Normal


‘This electrifying production… the truly inspired direction of Chris Loveless… resonates long after plangent music has ebbed from the stage.’
Plays International on Normal


‘Adapted stylishly from a production of two years ago by director Chris Loveless… a fine script handled with an all-round graceful touch rendering the violently unpalatable events horribly entertaining.’
Bristol 24-7 on Normal


‘This great production.’
(Critics’ Choice & Show of the Week) Time Out on Moonshadow

'Insightful direction by Chris Loveless brings out the bleak realism as well as highlighting moments of wry humour in this powerful play.'
Plays International on Moonshadow

'Convincing acting, under Chris Loveless’ direction, makes us believe in the agonising tension, hope and despair of life at the margins.'
The Stage on Moonshadow

‘Brilliant theatre… theatre and new writing at its most raw.’
Extra! Extra! on Moonshadow

‘Funny, moving, neatly constructed and superbly performed.’
Venue Magazine on Ray Collins Dies On Stage

‘Directed with devastating insight and astounding pace by Chris Loveless.’
Plays International on Ray Collins Dies On Stage


‘Crisp direction and therapeutic humour.’
Venue Magazine on Thursday Coma and Walter’s Monkey


'Highly enjoyable studio theatre entertainment.'
The Stage on Dracula


'A musical version of Dracula could have gone horribly wrong, but the Fallen Angel Theatre Company have managed to pull off an entertaining evening in this well produced version of the gothic classic... A night of bloody good fun.'
What’s on Stage on Dracula


'Directed by Chris Loveless... there is a complete believability of the events that unfold. His attention to detail with text and delivery, along with how far to allow ‘high drama’ to unfold without it falling into laughable melodrama is admirable, as are the performances he has drawn out from his twelve-strong cast.'
Musical Stages Magazine on Dracula


‘This is an alternative to the West End, perhaps not so lavish but certainly not lacking in quality.’
UK Theatre Net on Dracula


‘Chris Loveless’ staging is much better than merely acceptable: in fact, it’s a fresh, gripping and witty mini-epic.’
 (Critics’ Choice) Time Out on The Custom of the Country


‘The stylized direction is like a finely tooled instrument so precise in its timing and detail that one is impressed to such a degree as to forget the brutality of the content. This is horror that is truly horrible but so well done.’
Blanche Marvin on Normal


‘A superbly deployed directorial device ratchets up the intensity and sense of confinement. This ambitious production achieves what it sets out to.’
Bristol Evening Post on Normal