| Reviews: |
| 'Excellent direction from Chris Loveless... this
musical deserves a bigger stage.' British Theatre Guide on Tess of the D'Urbervilles |
| 'Chris Loveless provides the clever direction.' Musical Theatre Review on Tess of the D'Urbervilles |
| 'A thrilling, bold and wickedly amoral night out
that showcases some of the next wave of musical theatre talent.' Musical Theatre Review on Bel-Ami |
| 'Chris Loveless' direction and Anthony Whiteman's
choreography are fluid and imaginative... Most heartening is that their production shows a
clear understanding of what is uniquely possible in the art form of musical theatre.' The Public Reviews on Bel-Ami |
'An unrelentingly grim experience, but one which
retains a sense of hope in the human spirit. Director Chris Loveless gets the balance just
right.' What's on Stage on Five Kinds of Silence |
| 'The fluid direction ensures that every member of
the audience is drawn into the intense drama.' The Public Reviews on Five Kinds of Silence |
'Thoughtful, compassionate and fascinating...
superbly acted… richly absorbing.' |
'Compelling… a powerful piece of theatre…
impeccable acting… genuinely moving one moment and darkly funny the next, this is a
great way to round off your Festival day.' |
| 'A sophisticated piece of musical
theatre... director Chris Loveless captures the milieu perfectly. A canny West End
producer could do far worse than to tweak this fine show for a transfer.' (Critics’ Choice) Evening Standard on The
Remains of the Day |
| 'The staging is inventive, abounding with
whispering servants and the lovers that never come to be. It is a gem… a jewel…
that shines its light and lingers on.’ Blanche Marvin on The Remains of the Day |
| 'Chris Loveless' direction delivers a gripping evening's entertainment.' British Theatre Guide on Blavatsky's Tower |
| 'The staging and pace of the play are brilliantly eerie… An
atmospheric, unsparing and at times unsettlingly funny evening.' Venue Magazine on
Normal |
| 'This electrifying production… the truly inspired direction of Chris
Loveless… resonates long after plangent music has ebbed from the stage.' Plays International on Normal |
| 'This great production.' (Critics' Choice &
Show of the Week) Time Out on Moonshadow |
| 'Convincing acting, under Chris Loveless' direction, makes us believe in
the agonising tension, hope and despair of life at the margins.' The Stage on Moonshadow |
| 'Funny, moving, neatly constructed and superbly
performed.' Venue Magazine on Ray Collins Dies On Stage |
| 'Directed with devastating insight and astounding pace by Chris
Loveless.' Plays International on Ray Collins Dies On Stage |
'Crisp direction and therapeutic humour.' Venue Magazine on On the Edge |
| 'A musical version of Dracula could have gone
horribly wrong, but the Fallen Angel Theatre Company have managed to pull off an
entertaining evening in this well produced version of the gothic classic... A night of
bloody good fun.' What's on Stage on Dracula |
| 'Chris Loveless' staging is much better than merely
acceptable: in fact, it's a fresh, gripping and witty mini-epic.' (Critics' Choice) Time Out on The
Custom of the Country |