Chris Loveless   -  Theatre Director


07737 985 351
chrisloveless@hotmail.co.uk

Artistic Director ~ Fallen Angel Theatre Company
Associate Director ~ White Bear Theatre
Associate Director ~ Stepping Out Theatre Company

Trained ~ Bristol Old Vic Theatre School (Directing, 2007)

 


Forthcoming Productions

Maybe Tonight by Marc Lopatin, White Bear Theatre Kennington, 3pm, 11th Feb 2012
Tess of the d'Urbervilles, a musical adaptation by Alex Loveless, tba

 

2011 Director Lullabies of Broadmoor Stepping Out, Chrysalis Theatre & Simon James Collier Finborough, C venues Chambers St (Edinburgh Festival) & tour
2011 Director Exit Only (24 Hour Plays) Theatre Royal Bath & Roughhouse Theatre Ustinov
2011  Director Still Life (rehearsed reading) Fallen Angel & Stepping Out    White Bear
2010 Director Venus at Broadmoor Theatre West Alma Theatre
2010 Director The Remains of the Day Simon James Collier, Fallen Angel & Ben David Productions  Union
2010 Director The Demon Box (Vibrant Anniversary Festival staged reading) Finborough & Stepping Out Finborough
2010 Director & Producer Blavatsky's Tower Simon James Collier, Fallen Angel & Brockley Jack Brockley Jack
2010 Director Stairway to Heaven  Stepping Out, Fallen Angel & Simon James Collier Blue Elephant Theatre
2010 Director Vampire Nights Stepping Out & Fallen Angel Alma Theatre
2010 Director Cry (Script Space staged reading)      Tobacco Factory Tobacco Factory
2010 Director Ache (Script Space staged reading) Tobacco Factory Tobacco Factory
2010 Director The Most Beautiful Man in the World (Script Space staged reading) Tobacco Factory Tobacco Factory
2010 Director Beatle’s Big Date (Script Space staged reading) Tobacco Factory Tobacco Factory
2010   Director The Nose & The Face (staged reading) Fallen Angel White Bear
2010 Director & Producer Gifted Simon James Collier, Fallen Angel & White Bear White Bear
2009 Director & Producer Normal Fallen Angel, Stepping Out & Simon James Collier Tobacco Factory
2009 Director & Producer Moonshadow Stepping Out, Fallen Angel & Simon James Collier White Bear
2009 Director   Ray Collins Dies On Stage Fallen Angel & Stepping Out Alma Theatre
2009 Director Thursday Coma Stepping Out & Theatre West Alma Theatre
2009 Director Walter’s Monkey Stepping Out & Theatre West Alma Theatre
2009   Director  The Saints of Blasphemy (staged reading) Fallen Angel White Bear 
2009 Director Basildon (staged reading) Peter Hamilton  White Bear
2008 Director &
Co Producer 
Dracula Simon James Collier, Fallen Angel & White Bear White Bear
2008  Intern Various Ambassador Theatre Group West End
2008 Associate Producer Postcards from God: the Sister Wendy Musical   Simon James Collier Hackney Empire
2007-
2008
Director & Producer The Custom of the Country Fallen Angel & White Bear White Bear
2007 Director & *Producer Normal various *Dukes, *White Bear, Greenwich Playhouse &
Alma Theatre
2007 Assistant Director Othello Shakespeare at the Tobacco Factory Tobacco Factory
2007 Director Wilderness (staged reading)  Stepping Out Alma Theatre
2007   Director    The Murder Club (staged reading)   Stepping Out     Alma Theatre
2007 Assistant Director The Demon Box Theatre West & Stepping Out Alma Theatre   

Other:

Recipient of Arts Council Grants for the Arts individual funding for Lullabies of Broadmoor; nominated for the Off West End Theatre Award for Best Director for Stairway to Heaven; highly experienced dramaturg; former youth theatre director with over ten years’ experience and dozens of credits; former actor in theatre and TV and ex-member of the NYT (1998 - 2002); member of the Directors Guild of Great Britain and Equity; driving licence; CRB cleared.



Reviews:

‘Thoughtful, compassionate and fascinating... superbly acted… richly absorbing.’
The Times on Lullabies of Broadmoor

‘Fascinating… directed with delicacy and sensitivity… beautifully performed… one is deeply moved… one of those rare moments in theatre where it all jells into a complete whole.’ fourbluestars.gif (1347 bytes) Blanche Marvin on Lullabies of Broadmoor

‘Eminently watchable... Director Chris Loveless has motivated an expert cast into creating a deeply irregular and relatively unexplored territory inhabited with spirits, demons and monsters both metaphysical and otherwise.’
The Stage on Lullabies of Broadmoor

‘Compelling… a powerful piece of theatre… impeccable acting… genuinely moving one moment and darkly funny the next, this is a great way to round off your Festival day.’
fourbluestars.gif (1347 bytes) Three Weeks on Lullabies of Broadmoor

‘Beautifully directed by Chris Loveless.’
fourbluestars.gif (1347 bytes) Venue Magazine on Venus at Broadmoor
‘Evocative and dark, theatrical and fluid… the story was exposed with clarity and tenderness… This is not one to miss.’
Bristol Evening Post on Venus at Broadmoor
‘Stellar… wonderfully funny, a huge chunk of credit for which must go to director Chris Loveless.’
Bristol 24/7 on Venus at Broadmoor
‘A sophisticated piece of musical theatre. A strong sense of magisterial Darlington Hall… is skilfully evoked in the small playing space, and director Chris Loveless captures the milieu perfectly. A canny West End producer could do far worse than to tweak this fine show for a transfer.’
fourbluestars.gif (1347 bytes)  (Critics’ Choice) Evening Standard on The Remains of the Day
‘The staging is inventive, abounding with whispering servants and the lovers that never come to be. It is a gem… a jewel… that shines its light and lingers on.’
Blanche Marvin on The Remains of the Day
‘Under Chris Loveless’ direction… there is some quite touching and imaginative acting taking place.’
The Stage on Stairway to Heaven
‘A surprisingly funny and interesting piece.’
British Theatre Guide on Stairway to Heaven
‘Chris Loveless' direction delivers a gripping evening's entertainment.’
British Theatre Guide on Blavatsky’s Tower
'The staging and pace of the play are brilliantly eerie… An atmospheric, unsparing and at times unsettlingly funny evening.’
fourbluestars.gif (1347 bytes)  Venue Magazine on Normal
‘This electrifying production… the truly inspired direction of Chris Loveless… resonates long after plangent music has ebbed from the stage.’
Plays International on Normal
‘This great production.’
fourbluestars.gif (1347 bytes) (Critics’ Choice & Show of the Week) Time Out on Moonshadow
'Insightful direction by Chris Loveless brings out the bleak realism as well as highlighting moments of wry humour in this powerful play.'
Plays International on Moonshadow
'Convincing acting, under Chris Loveless’ direction, makes us believe in the agonising tension, hope and despair of life at the margins.'
The Stage on Moonshadow
‘Funny, moving, neatly constructed and superbly performed.’
fourbluestars.gif (1347 bytes) Venue Magazine on Ray Collins Dies On Stage
‘Directed with devastating insight and astounding pace by Chris Loveless.’
Plays International on Ray Collins Dies On Stage
‘Crisp direction and therapeutic humour.’
fivebluestars.gif (1397 bytes) Venue Magazine on Thursday Coma and Walter’s Monkey
'Highly enjoyable studio theatre entertainment.'
The Stage on Dracula
'A musical version of Dracula could have gone horribly wrong, but the Fallen Angel Theatre Company have managed to pull off an entertaining evening in this well produced version of the gothic classic... A night of bloody good fun.'
fourbluestars.gif (1347 bytes) What’s on Stage on Dracula
'Directed by Chris Loveless... there is a complete believability of the events that unfold. His attention to detail with text and delivery, along with how far to allow ‘high drama’ to unfold without it falling into laughable melodrama is admirable, as are the performances he has drawn out from his twelve-strong cast.'
Musical Stages Magazine on Dracula
‘Chris Loveless’ staging is much better than merely acceptable: in fact, it’s a fresh, gripping and witty mini-epic.’
fourbluestars.gif (1347 bytes) (Critics’ Choice) Time Out on The Custom of the Country
‘The stylized direction is like a finely tooled instrument so precise in its timing and detail that one is impressed to such a degree as to forget the brutality of the content. This is horror that is truly horrible but so well done.’
Blanche Marvin on Normal